{"id":1898,"date":"2022-08-11T16:37:29","date_gmt":"2022-08-11T16:37:29","guid":{"rendered":"https:\/\/dentes-de-leao.runescript.pt\/ciclo-de-artes-participativas\/"},"modified":"2022-10-26T12:49:33","modified_gmt":"2022-10-26T12:49:33","slug":"cycle-of-participatory-arts","status":"publish","type":"post","link":"https:\/\/dentesdeleao.pt\/en\/cycle-of-participatory-arts\/","title":{"rendered":"PARTICIPATORY ARTS CYCLE"},"content":{"rendered":"

The Cycle of Participatory Arts is a moment of revelation of the artistic proposals Dentes de Le\u00e3o, constituted by the public presentation, in \u00c9vora and Sardoal, of the artistic results of the supported projects.<\/p>\n

The program of the participatory arts cycle gives visibility to the work developed in the Artist Residencies and values \u200b\u200bplaces, materials and narratives with symbolic importance for the community of young people and artists Dentes de Le\u00e3o and for the territories of \u00c9vora and Sardoal.<\/p>\n

This is also a time for assimilation and discussion of the results of the participation process, a meeting between the project’s stakeholders and opening up to the community, promoting the celebration of the contributions of all the territories involved, valuing and making visible its multiple dimensions and the exchange of knowledge and resources specific to each one.<\/p>\n

The Participatory Arts Cycle takes place in \u00c9vora, in an open studio format, on the 22nd and 23rd of October, and in Sardoal, on the 29th and 30th of the same month.<\/p>\n

\u2731 \u2731 \u2731 \u2731 \u2731 \u2731 \u2731 \u2731 \u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span><\/b><\/h6>\n

P R O G R A M M E<\/strong><\/h2>\n
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individualistic arts<\/h6>\n

DENTES DE LEIT\u00c3O<\/h3>\n

\u00c9vora\u00a0 <\/strong>\u2731\u00a0 P\u00f3 de Vir a Ser \u00a0\u2731\u00a022 \u2014 23 oct\u00a0<\/strong>
\nDIY merchandising workshop + \u00a0<\/sup><\/b>\u2731<\/span> \u00a0<\/span><\/b>9h30 \u2014 18h
\nOpen workshop\u00a0of merchandising manufacture \u00a0\u2731<\/span>\u00a0\u00a0<\/span><\/b>15h \u2014 18h
\nSardoal\u00a0 <\/strong>\u2731\u00a0 Centro Cultural Gil Vicente \u00a0\u2731 \u00a030 oct\u00a0<\/strong>
\nSite and festival programme presentation and concert\u00a0 <\/span>\u2731<\/span>\u00a0 <\/span><\/b>16h<\/p>\n

Dentes de Leit\u00e3o<\/strong> is an Individual Arts platform that selects and promotes both renowned and emerging individualistic artists with transcendentalist values, and that focuses on the reflection and discussion on the role Art plays in the Herd Society. Initially created for Bairrada Artists, this project that now comes true in the form of a Variety Festival opens itself beyond borders and summons national and international artists dedicated to topics that are contemporary and fashionable amidst the Individual Arts. Based on formal meetings between the community, councils and lectures, and the greatest Art and Culture theoreticians, the artists shall work separately on the re-presentation and re-adaptation of artistic objects, aiming at making them profitable and far-reaching. Rural life serves as a creative motto to simplify critical thinking in aesthetical exercises that engage in a dialogue with the following dilemma: \u201cShould Contemporary Art exit the large cities?\u201d.<\/p>\n

\u2014 Collectively created by Collective of People and Animals<\/strong>. Acknowledgments\u00a0To everyone who is not an artist<\/strong><\/p>\n

+<\/sup><\/b>\u00a0 <\/span><\/sup><\/b>Application at dentesdeleao.pt is required (maximum of 10 participants)<\/h6>\n
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sound istallation<\/h6>\n

EM ESPERA<\/strong><\/h2>\n

\u00c9vora\u00a0 <\/strong>\u2731\u00a0 Jardim de Diana\u00a0 \u2731 \u00a022 \u2014 23 oct
\n<\/strong>Talk about the project \u00a0\u2731 \u00c9vora Public Library \u2731 <\/strong>22 oct \u00a0\u2731 \u00a0<\/strong>11h30
\nSardoal\u00a0 <\/strong>\u2731\u00a0 Centro Cultural Gil Vicente \u00a0\u2731 \u00a029 \u2014 30 oct
\n<\/strong>Talk about the project \u00a0\u2731 \u00a0<\/strong>29 oct \u00a0\u2731 \u00a0<\/strong>12h<\/p>\n

Do you ever stop and listen to what surrounds you? What do you hear? What kind of feelings does it bring? And what kind of memories do those sounds awaken? em espera<\/strong> started as a gathering of sounds and comes to life as an immersive phone booth where soundscapes are produced based on the sounds that are available for discovery. It is an exercise of deep listening, and it seeks to give relevance to the places where the project is being carried out \u2014 Sardoal, \u00c9vora and Lisbon \u2014 through sound stimuli, turning the invisible visible. em espera<\/strong> materialises a place where the exercise of waiting reveals itself \u2014 waiting for a call, for someone, for that message that won\u2019t arrive, for a green light to move forward\u2026 It is also a place that teases, encouraging the waiting and the necessary openness to uncertainty, and that unveils what surrounds us, as well as the neglectful way in which we deal with everyday life and the people in it.<\/p>\n

\u2014 Concept Filipa Jaques<\/strong>. Co-creation Ana Cruz, Beatriz C\u00f3ias, Beatriz Oliveira, Beatriz Rodrigues, Clara Ferreira, D\u00e9bora Fernanda, F\u00e1bio P\u00e9-Leve, Filipa Jaques, Jo\u00e3o Lobato, Lara Gomes, Lia Marins, Murilo Oliveira, Phoenix, Sofia Barreto<\/strong>. In colaboration with Art\u00e9ria Lab, MILL – Makers In Little Lisbon, Sometambi<\/strong>. Acknowledgments Arthur Fonte, Beatriz Branco, Beatriz Pereira, Carlota Jardim, Eduardo Freitas, Hugo Lopes, Leonel Alegre, Lu\u00eds Gra\u00e7a, Maria Abrantes, Marius Ara\u00fajo, Maur\u00edcio Martins, Micaela Morgado, Pedro Fazenda, Raquel Ribeiro dos Santos, Rodrigo Pereira, Sindri Leifsson<\/strong><\/p>\n

+<\/sup><\/b>\u00a0 <\/span><\/sup><\/b>This installation is accessible to one person at a time.\u00a0The project will remain in Sardoal until November 30 and returns to \u00c9vora in December<\/h6>\n
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sculpture<\/h6>\n

O<\/strong>F<\/strong>ERTA<\/strong><\/h2>\n

\u00c9vora\u00a0 <\/strong>\u2731\u00a0 Near by Roman Temple \u2731 \u00a022 \u2014 23 oct
\n<\/strong>Welcoming moment \u00a0\u2731 \u00c9vora Public Library \u2731 <\/strong>22 oct \u00a0\u2731 \u00a0<\/strong>16h
\nSardoal\u00a0 <\/strong>\u2731\u00a0 Centro Cultural Gil Vicente \u00a0\u2731 \u00a029 \u2014 30 oct
\n<\/strong>Welcoming moment \u00a0\u2731\u00a0 <\/strong>30\u00a0oct \u00a0\u2731 \u00a0<\/strong>15h<\/p>\n

The work Oferta<\/strong> manifests itself as places of offerings. They are interactive sculptures placed in public spaces in \u00c9vora and Sardoal made from marble and a cork tree. The function of the sculptures is twofold. Everyone passing by the works is free to leave something behind on the marble surfaces. There is also the option to take what\u2019s been left there if one feels a connection to said object or might need it for practicalities. In engaging with the sculptures, passersby and audience will be involved in the constant change of aesthetics, symbolism and functionality. Some might make an offering while others may choose to reap the benefits.<\/p>\n

\u2014 Conceived and created by Sindri Leifsson<\/strong>. In collaboration with Youngsters from Sardoal, \u00c9vora, Lisbon<\/strong>.\u00a0Special contribution of Beatriz Rodrigues<\/strong>. Acknowledgments Pedro Fazenda<\/strong><\/p>\n

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multidisciplinary<\/h6>\n

PAREIDOLIA<\/strong><\/h2>\n

Sardoal\u00a0 <\/strong>\u2731\u00a0 Parque de Merendas do Sardoal\u00a0 \u2731 \u00a029 oct \u00a0\u2731 \u00a011h<\/strong>
\nSardoal\u00a0 <\/strong>\u2731\u00a0 <\/strong>Centro Cultural Gil Vicente\u00a0 \u2731 \u00a030 oct \u00a0\u2731 \u00a011h<\/strong><\/p>\n

Pareidolia<\/strong> was conceived based on a collective exercise of creative writing by the youngsters from the territories of Sardoal, Lisbon and \u00c9vora. Its goal is to capture the manifold impacts a place has on the individual making of each person. It materialises in a deck of illustrated fabric cards and in a performance, putting forward a creative reading of images trough words and movement, resorting to the individual intuition, references, experiences and knowledge of those reading and interpreting.<\/p>\n

\u2014 Conceived by Beatriz Pereira, Carlota Jardim e Maria Abrantes<\/strong>. Illustration and printing Beatriz Pereira, Carlota Jardim e Maria Abrantes<\/strong>. Poetic utterances Youngsters from Sardoal, \u00c9vora and Lisbon<\/strong>. Acknowledgments Ana Catarina, Cl\u00e1udia Domingos, Elisabete Paiva, F\u00e1bio Santos, Hugo Lopes, Maria do Carmo and the Simples family, Maria Milheiri\u00e7o, Mariana Mata Passos, Miky, Pedro Fazenda, Raquel Ribeiro dos Santos, Sandra Marina Magano, Sofia, V\u00e2nia Rovisco, Zico<\/strong><\/p>\n

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multidisciplinary<\/h6>\n

LINHA DE TERRA<\/strong><\/h2>\n

Sardoal\u00a0 <\/strong>\u2731\u00a0 <\/strong>Jardim da Tapada da Torre\u00a0 \u2731 \u00a029 oct \u00a0\u2731 \u00a015h<\/strong><\/p>\n

Linha de Terra<\/strong> is an invitation to imagiate<\/em> and sprout possibilities of restoring our connection to nature. The earth is the womb that, when sown, shapes, forms and decomposes matter, generating life. How do we engage with our natural environment? How do we engrave our hands in it? Are we able to contemplate the creation of a shared fertile space? The hand is the gateway of the watching, listening, feeling, touching and communicating body. This natural tool acts as the mediator between interior and exterior, body and clay. As an intersecting bridge between sensitive realities, the hand reveals the power of the imaginable, of the process, of the experience. Our hands imprint the temporal traits of their existence into the clay, just as hands get shaped as they shape. Clay captures that passing and renders it immortal in a unique and enabling gesture.<\/p>\n

\u2014 Collaboratively created by Carlota Jardim, Eduardo Freitas, Micaela Morgado, Sara Anjo<\/strong>.\u00a0Acknowledgments Ana Catarina Ribeiro, Associa\u00e7\u00e3o ArteLinho, Graciosa Rodrigues, Maria Milheiri\u00e7o, Noelia Rafael, Nuno Lecoq, Sandra Marina Magano, Sofia Bento, Xavier Gaspar<\/strong><\/p>\n

+<\/sup><\/b>\u00a0 <\/span><\/sup><\/b>On October 29 and 30, the public are welcome to leave their contribution at the project\u2019s working station in the foyer of Centro Cultural Gil Vicente<\/h6>\n
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participatory arts course<\/h6>\n

CAMPO ABERTO | MODULE III<\/b><\/h2>\n

Sardoal\u00a0 \u2731\u00a0 Biblioteca Municipal do Sardoal \u00a0 \u2731\u00a0 <\/span>29 oct \u00a0 \u2731\u00a0 <\/span>10h30 \u2014 18h<\/strong><\/p>\n

In the third module of Campo Aberto<\/strong>, course participants collectively follow the Participatory Arts Cycle and share a critical reflection on that experience. Campo Aberto<\/strong> is a course meant for cultural agents with an interest in participatory arts. It has been designed based on the ideas, worries and learning originating in the process of co-constructing the Dandelions project. In four meeting moments, it seeks to yield an experience of continuity in dialogue with different stages of the project.<\/p>\n

+<\/sup><\/b> <\/b>Application at dentesdeleao.pt is required (maximum of 5 participants)<\/h6>\n
\u2731 \u2731 \u2731 \u2731 \u2731 \u2731 \u2731 \u2731 \u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span> <\/b>\u2731<\/span><\/b><\/h6>\n

download your programme here<\/a><\/h2>\n
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 <\/p>\n","protected":false},"excerpt":{"rendered":"

The Cycle of Participatory Arts is a moment of revelation of the artistic proposals Dentes de Le\u00e3o, constituted by the public presentation, in \u00c9vora and Sardoal, of the artistic results of the supported projects. The program of the participatory arts cycle gives visibility to the work developed in the Artist Residencies and values \u200b\u200bplaces, materials […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-30 15:54:47","action":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/posts\/1898"}],"collection":[{"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/comments?post=1898"}],"version-history":[{"count":14,"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/posts\/1898\/revisions"}],"predecessor-version":[{"id":2218,"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/posts\/1898\/revisions\/2218"}],"wp:attachment":[{"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/media?parent=1898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/categories?post=1898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dentesdeleao.pt\/en\/wp-json\/wp\/v2\/tags?post=1898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}